Wednesday, 2 February 2011
Piece #2
A. Tim
B. Son
A. Don't you dare
B. What, you are though
A. Not now, never, I will never be
B. I want to tell you things, you might not have all the information
A. I have all the information I need
B. Please let me explain
A. Walk the fuck away, get away from me, I won't be held responsible for what I do to you
Tuesday, 1 February 2011
100 coolest things in film.
100 Pacino and De Niro finally meet in heat
99 Sharlto Copley ad libbing in District 9
98 Mickey Rourke's ram head necklace
97 The opening scene in Indiana Jones and The lost Ark
96 Epic Pulp of Shutter Island
95 Christopher Nolan
94 The Joker's magic trick
93 Music and the monster chewing scenes of Daniel Day Lewis in There Will be Blood
92 Hand held shaky camera work
91 Michael Caine in Children of Men
90 Johnny Depp's best performance in Ed Wood
89 Viral marketing
88 Method acting
87 British filmmakers being the top dogs in America
86 Movie posters
85 Hard graft of a shoot and the payoff of greatness
84 Movie Macguffins
83 Final scene of Raging Bull, "I'm the boss, I'm the boss, I'm the boss"
82 Short films
81 Movie moustaches
80 Leonard's tattoos in Memento
79 Fight Club, One of the best films of the last 20 years and one of the most important of all time, "Fuck off with your sofa units and string green stripe patterns, I say never be complete, I say stop being perfect, I say let... lets evolve, let the chips fall where they may"
78 Goldeneye, a return to bond movies of Connery and the last film that feels like the Cold War world aftermath
77 Hans Zimmer score for Inception
76 People smoking in film
75 Panic Room's long take that starts upstairs and goes through a coffee pot, beautiful
74 Zabriskie Point exploding stuff
73 Movie Shoot outs, the best......Heat
72 Ron Burgundy
71 Orson Welles reveal in The Third Man
70 Richard Gere in Internal Affairs
69 War of the World's remake (that score!)
68 Last shot in The Departed
67 Film's in New York.....Taxi Driver, Nick and Norah, Bringing out the Dead,
66 Dune, yeah that's right
65 Van Morrison's TB Sheets in Bringing out the Dead
64 The shot where a custodian sweeps up the piss in HUNGER by Steve Mcqueen
63 "Here comes the pain!" in Carlito's Way
62 Toy Story trilogy
61 Pixar movies and their dedication to the craft of filmmaking
60 Nathan FIllion in everything
59 Performance
58 James Franco, as close to a James Dean we'll have. Scratch that, He's the only James Franco we will have, i predict great things for this guy.
57 Colin Firth's rebirth
56 The look of complete confusion on Lars Thorwald's face that anyone would be interested in his life in the end of Rear Window
55 Toilet scene in Trainspotting, Renton desperate for his last hit, shits out the suppositories, dives into the worst toilet in the worst bathroom in scotland. Magic.
Piece #1
A. I want you.
B. I don't want you.
A. I want you so much I can't breath without you.
B. Don't
A. Don't what.
B. That, don't pretend that you need me
A. I do need you.
B. You only want me because you're lonely.
The words, don't have their meaning yet, no subtext, so they have a variety of contexts.
I will act and record these along with the thoughts replacing the scripts.
B. I don't want you.
A. I want you so much I can't breath without you.
B. Don't
A. Don't what.
B. That, don't pretend that you need me
A. I do need you.
B. You only want me because you're lonely.
The words, don't have their meaning yet, no subtext, so they have a variety of contexts.
I will act and record these along with the thoughts replacing the scripts.
ACTING CLASS WEEK3
A. Where have you been?
B. Out
A. Are you ok?
B. Yeah, fine.
A. Shouldn't we talk?
B. What About?
A. You know what about.
B. What do you want me to say?
I was B, Kate A.
Paired up with kate, we had to create the details of the piece, SUBTEXT. Subtext gives you meat on the bones of the words, without it, the words have no power to affect.
This was my best performance so far, my best acting. It was OUR best acting. It's important to be relaxed and confident, to have no fear, the audience will feed of this. It was "Intense" said one. "Excellent, excellent, excellent" were the words to describe the scene.
My character felt trapped by the baby in the relationship with my wife of three years. I don't know how to stop the way I'm feeling, I know it's wrong, but I can't stop it. Self destructive fool.
Kate just wanted to be loved and for me to say something to let her know this. To break free of my insecurities and to be part of the family. SUBTEXT.
We performed the piece again, this time, replacing the written words with the thoughts, the feelings of the script.
B. Leave me alone
B. Fuck, fuck, fuck
B. We've been through this, and for some reason I still can't apologise
B. I want out of here
I want to study these more side by side, the importance to have a story, truth behind the words can't be expressed.
B. Out
A. Are you ok?
B. Yeah, fine.
A. Shouldn't we talk?
B. What About?
A. You know what about.
B. What do you want me to say?
I was B, Kate A.
Paired up with kate, we had to create the details of the piece, SUBTEXT. Subtext gives you meat on the bones of the words, without it, the words have no power to affect.
This was my best performance so far, my best acting. It was OUR best acting. It's important to be relaxed and confident, to have no fear, the audience will feed of this. It was "Intense" said one. "Excellent, excellent, excellent" were the words to describe the scene.
My character felt trapped by the baby in the relationship with my wife of three years. I don't know how to stop the way I'm feeling, I know it's wrong, but I can't stop it. Self destructive fool.
Kate just wanted to be loved and for me to say something to let her know this. To break free of my insecurities and to be part of the family. SUBTEXT.
We performed the piece again, this time, replacing the written words with the thoughts, the feelings of the script.
B. Leave me alone
B. Fuck, fuck, fuck
B. We've been through this, and for some reason I still can't apologise
B. I want out of here
I want to study these more side by side, the importance to have a story, truth behind the words can't be expressed.
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